The Tump Clump #53 - 04/12/25

This month I decided to raid the vinyl archives and do a totally turntable mix.  I have been playing a lot more techno/house recently, I even visiting Exeter Dance Music Record Fayre (hosted by Total Tunes Records of Torquay, apologies for the Facebook link) which was held at Bomba a couple of weekends back. Nice to get back into "mixing" and exploring my club tendencies again. Not everything in life has to be noise. 

So here's this months offering, a collection of things purchased, traded or gifted that have joined my collection over the years:

Necro Deathmort - Channel Fever (Distraction Records 2014) 12"

Ambulance - Antiques Roadshow (Planet Mu 2002) 7" single

Sly & The Family Drone - Tsukiji (Feeding Tube Records 2020) 12"

Shaun Robert - Envelope (The institute of Alien Research 2015) 7" single

Justice Yeldham - Fresh Balls [excerpt] (Feeding Tube Records 2019) 12"

Ekoplekz - Ekztrakz (Self released 2022) - not sure which side 1 or 2 as its an unlabelled 7" lathe cut. Nothing on the run-out groove either of course.  Limited edition number 11 of 30. 

Lucy & Aaron - Trueno (Hanson Records 2021) 12"

The Fear Ratio - arel (Kasm 2015) 10"

O.S.T - Iring (Emanate Records 2000) 12"

Pselodux - Eramer2 (8-bit Records 2002) 12"

qebrµs - ⊶⊑ ♉ ♋ ☮ ♋ ♉⊒⊷ (Love Love Records 2017) - although this 12" is from the 2024 issue, originally this was CD only. Huge thanks to LoveLove for reissuing this one (with proceeds going to the family) - long time fans may remember I interviewed qebrµs for SnareRush Zine a few years back, shorly before they passed from this plane.

BLACKCLOUDSUMMONER - My Purest Heart To You (Nim_Brut 2021) Ltd 12" lathe cut. 

The Mike Sammes Singers - Wombling Merry Christmas (Music For Pleasure 1975) 7" single - yes i'm aware I played it at the wrong speed.  It needed to be dismal.  A fun track and still not sure how I acquired this but there you go. 

          Outro: Some Soloman Tump live Drone stuff to fill out the allocated 60 mins :) 

It was fun to dig through the archives and play some different stuff again - still fairly dismal but maybe not quite as noisy as the show sometimes gets.  I guess a slight reflection on the music I buy on vinyl - more electronic based / club adjacent / leftfield, rather than drone/noise. 

Well thats it for The Tump Clump in 2025.  Another year ticked off and I shall return in 2026 for perhaps more of the same or something slightly different - havn't quite decided yet.  Thank you for tuning in and see you again in some capacity in the next one. 

The Tump Clump #52 - 06/11/25

Episode 52 of the Tump Clump Radio show features a brevvy of new music and a live session from yours truly - a practice recording made ahead of my recent Muhmur Radio appearance.

Made with the same setup that was used on the live broadcast, some similar results but some differences too... listen to them both and see if you can spot the differences?! The beauty of improvisation I guess.

Tonights show starts with a couple of tracks from a split tape I received in a recent trade - thanks to Ville of Finland for that.  Check out Harva Tapes if you want to hear more. 

Then something from a new Leeds based act called Wire Mothers - intrigueing gothic noise indeed - hope to hear more from this project soon.

Paul Harrison was kind enough to send me his latest albums - so tonight I played a track from Light Step which was refreshingly synth heavy and quite "easy" listening compared to some work I have heard from him.  Great stuff.

Jabe Ledoux is the latest fantastic release from Inner Demon Records, pretty sure I gush over something from that label every month. 

Eustress Tapes supply recent sounds from Substak as well as Cody Brant & Carl Kruger. I love the aesthetics of their tape releases - transluscent shells and misted cases make for a great thematic work. eg 

Ain't they stunning :)

Tracklisting 06/11/2025:

01 BLOODKRY - LOW CONTACT I (VILLE RANTANEN - BLOODKRY split)

02 BLOODKRY - KOLINAPÄÄ (VILLE RANTANEN - BLOODKRY split)

03 Wire Mothers - RAGGED (Ragged Desire)

04 Paul David Harrison - When It Can All Lie About Itself (Light Step)

05 Jabe Ledoux - Falls Breathe 3 (Falls-Breathe)

06 Substak - Cache Dust (Exolife)

07 Cordial Fare - Salt Of The Earth (How Much Is Enough)

08 Cody Brant & Carl Kruger - No One Said Anything (Nova Detour)

09 Soloman Tump - 241025

Noise Compilation of (next) month

 I contributed a track to this Halloween themed noise compilation, courtesy of Vacuum Noise Records. 

https://vacuumnoiserecords.bandcamp.com/album/--22

My offerinf for the release is called "Hundatorra", a track that was born from the Open Access Land sessions but didnt quite feel like it fit with the rest of the album.  It did however feel quite doomy and creepy, which lent itself to the Halloween cause.

Hundatorra is the name of the long abandoned / ruined medieval village up on Dartmoor, near the rocks of Hounds Tor. Hounds Tor itself was made famous by the Sherlock Holmes novel 'Hound of the Baskervilles' by Sir Arthur Conan Doyle, and is an amazingly atmospheric location any day of the year.  Robert Eggers has been nearby recently filming scenes for his upcoming Werwulf film.  So therefore, all ties in very nicely with the theme. 

I love the artwork that accompanies this compilation - gloomy moth-like creatures. The artist is https://francescastrada.com/home.html so check out more of their work.

The compilation of music itself is a great variety of sounds and styles and certainly not just a straight up NOYZ comp.  I was impressed by the width of offerings and look forward to hearing the bonus tracks when I get the download. As usual, there will be some artists ill explore more into.  Did I ever mention I love compilations!?

Hope you enjoy and can support the compilation if you are able.  I will feature a couple of tracks in Tump Clump #53 (December edition). 

Soloman Tump - Live for Muhmur Radio, 26/10/2025

Sunday 26th October 2025, remember it well for that was the date that I performed a session for Muhmur Radio, live and direct from the SoundArt studios in Dartington.  So a massive thank you to Steve for having me along and trusting me with about 27 minutes of your show, and to Chris for being the ever wonderful host and head honcho at the studios.  

I will admit to being a bit nervous beforehand, and especially when I discovered that the only other live broadcast that had gone out on Muhmur Radio was by Nocturnal Emissions in 2018.  So a true honour to be invited along and personally I think it ended up sounding "quite good". 

Also thanks for the cold beer! Much appreciated on the night to help calm the nerves :)

You can find more on the full broadcast, including a tracklisting of everything else that Steve played here -

https://remuhmuration.blogspot.com/2025/10/muhmur-radio-broadcast-286-26-october.html 

It turned into a solo men special, mostly (because there are always exceptions).  But I guess it shows how many guys there are out there, sat in dark rooms alone, making noises.  Perhaps we will get solo women in the future, would make for a great show.  I shall put the idea forward!  

The original Muhmur setlist - slightly altered on the night

I also gave some words for a pre-match interview with Steve over email, which have been published here - https://remuhmuration.blogspot.com/2025/10/the-muhmur-radio-soloman-tump-interview.html  - after all the interviews I did for the various zines over the years, this was the first one I had ever done for someone else.  So I probably waffled on for a fair bit after being given the opportunity.  

A few thoughts about the set itself;

It was partly planned, and partly improvised.  

I had 3 prepared recordings that I used as baseline sound sources to play and manipulate throughout the set.  There was an oscillating sine tone,  a vocal sample from "The Age of Steam" BBC Sound Effects record, and a synth recording I previously created for one of my previous releases "Weland" - so I guess this became a live version of that track.

I recorded a few practice sessions around these samples, using them in various ways with different effects and equipment, before settling on the rig that I took to the studio. The run time left a lot of room to experiment and play around these, and luckily on the night I managed to keep roughly to the allocated time.

There was the temptation to bring along EVEN MORE KIT than I did, but after a bit of whittling down, I managed to fit everything onto an offcut of timber I found in the garage, which made transporting and setting up in the studio a lot easier. 

Listening again, there were a few things I would have done differently, but thats the beauty of improvisation (and also possibly why I felt a bit nervous!).  

I kept the volume out of my mixer fairly low as im not used to blasting it out too loud at home - I also wanted to keep some headroom so that I could master the recording with ease (and yes, I think I will release a 3" CDr version soon...)

One of the alternative practice recordings will feature on the next Tump Clump radio show to give an idea of how the live process works.

Overall, great fun to do this, and it has given me the itch to do it again!  Thanks again to Steve for supporting my work and giving me the desire to do more....

Soloman Tump - Open Access Land

I kind of panic released my new album called Open Access Land and it was a fun creative process.

I flirted with the idea of approaching a few different labels to see if they were interested in my sounds - but i've always been a bit of an outsider to the ousiders and usually end up doing things by myself.

So this was a nice return to DIY projects using up some black backed CDs and cardboard sleeves that I picked up from the always fruitful Proper Job re-use centre in Chagford.  This is also where I bought an external CDr/CD-rw drive for £3. I must make time to go again soon.

The recordings for this album started in the spring, feeling endlessly inspired by my Field:Tone Weaver instrument, i've always recorded my sessions but having this bit of kit in the setup means that you can never "go back" to a sound.  So recording is now essential.  It also means I have a LOT of audio to listen back to, and to learn from, and perhaps has forced me to go a bit more minimal in my sounds in case something sounds really good and I can use it as a layer or sample at a later date.  A couple of the tracks were played on Tump Clump shows in their earlier forms, as I was sort of testing them out. 

So by nature, this album feels a little more stripped back than previous Soloman Tump efforts.  Sure, there are still erratic noises, and dark layers, and dense bits, but to me if feels a little bit more easier or free.  

Dartmoor has been the centre of a media storm over the past few years due to the wonderful RIGHT TO ROAM movement, whom I place as my main inspiration for the making of this album.  A light at the end of the tunnel in a bleak situation where parts of the open access land of Dartmoor being slowly sold off and withdrawn from public use.

Keeping in this spirit,   the digital version of this album is available for free, and always will be.  Or, you can pay something if you prefer.

As previously mentioned, I made a few physical copies of the album which was actuallty quite an inspiring artistic process and not something I usually allow myself to get too engrossed in. 

I foraged lichen and mushrooms from nearby woods following a storm. I dried the lichen to make "brushes" that I stamped in ink to pattern the blank CD cases.

I then made spore prints with the mushrooms; which had various effects from really quite good to terrible; a great DIY learning process! Different mushrooms drop different colour spores at different intensities.  I picked a wide variety of fruits from the woods, placed them on different coloured cards, covered them overnight, and kept my fingers crossed.  

The combination of white spores on yellow card was unfortuantely a bit too weak to be of any use.  But there were some blackended spores on pink card which looked excellent, and then white spores on white card too.  A great learning process.  I then used some sealing spray glue to try and preserve the prints.  If you ordered one, I hope they last a little while before degrading! 

Generally I hope you enjoy listening to the album and I am always keen to hear thoughts on my work, critical or otherwise.

1.Squirreling 05:55

2.Roamer 04:32

3.Slow March 06:43

4.Runjun 04:57

5.Bloodmoonthorned 07:54 (Produced alongside Stuart Chalmers)

6.Dub You 08:33

7.The Long Way Round 12:02

8.[Exclusive bonus Track for anyone who ordered a CD]