Sunday, 30 October 2022

The Tump Clump Episode 17

The clocks have changed, and Halloween hangeth over our heads like a string of luminous pumpkin bunting. 


Episode 17 of The Tump Clump appeared out of nowhere; suddenly October was done I realised that I had not managed to put much thought into the next radio show at all.  A combination of a new job (which is going well), school half term (pretty good, saw some friends, did some things), and generally trying to decide if I want to start work on a new zine or carry on making Soloman Tump sounds - I really do not know if I can commit enough brain power to be able to do either or both justice right now.

So I picked out some music from my collection - some tracks a few years old, some brand new and not even released at the time of recording.  And actually I enjoy how these tracks sit together, especially the IOM track that Iker sent me a download code for over the weekend.  This track in particular really clicked with me. The Bloodkry EP (and Existence LP) are also both amazing pieces of work, and really fit with The Tump Clump aesthetic of dismal. 

The Tump Clump #17 - 03/11/2022

The Plague Tump Soloman Arish track was recording in a fancy camping pod at Dartington Hall on a rainy / sunny / afternoon / evening.  Fuelled by cider, ale and pizza.  With apologies to anybody camping nearby who could hear what we were up to, but the acoustics in those pods was pretty lush.  We recorded about 2.5 hours of sounds, with a variety of gadgets, foley, battery powered speakers and rummaging.  This snipped is a trimmed/layered/EQ'd compilation of some of the more interesting parts to our ritual.  The recording appears on the Cartes Postales compilation through the hugely prolific Camembert Electrique label, alongside a talented bunch of international artists (including James Nathan Powell who's crumbling noise wall efforts I am especially fond of). 

I finished the show with a demo track I am working on called "Banquet" - I did not talk about this in the recording as I just wanted to see if anybody was actually paying attention.  The track was created with the Behringer Neutron, some time stretching, and a recording of me fiddling with my office chair.  I quite like it and it may appear on a forthcoming release.  

Thursday, 6 October 2022

The Tump Clump Episode 16

Back once again with the ill behaviour.....


SoundArt Radio returns after its Summer siesta and with it, The Tump Clump returns to the FM airwaves across Totnes, Dartington and slightly beyond.  Now at 8pm from Thursday 6th October (now, as I type this!) and every 4 weeks thereafter.  So just in case you can't figure that out, the next couple of shows after will be Thursday 3rd November and Thursday 1st December.  Stick them in your diary.  

You can listen live online with the player app, or I stick them online on Mixcloud soon after broadcast.

Same format as before really, as many dark weird electronics dismal experimental noisy tunes as I can cram into an hour. 

This month, the track list goes a little something like this, with some bits of me rambling between. 

1. J. Lynch - The Wanderer (from the Tender Appropriation EP on Difficult Art & Music)

2. Jason Crumer - He's Game Babe (from the Thin Ice tape on NoRent)

3. Degradation - Reflux (from the Leadlined LP on Brachliegen Tapes)

4. Distraxi - Zombie Met Kim Jong Il (from Cotard's Syndrome)

5. Rooy - In albis (from Por un instante, la mariposa que arde en mi lámpara se hace de oro )

6. Jo Montgomerie - they all fell so easy (from Those Things Beyond & Within on Brachliegen Tapes)

7. WELLNESS REGIME - Sleep techniques (from the album DOWN)

8. WET MIRROR - Trick Bone (from the album CARTOON POWER ELECTRONICS)

9. Isn'tses and Pillars of Golden Misery - Live from Epping Forest, May 2022. Exclusive to finish the show with, thanks to Tim & Lisa for sending this to me :)

I enjoyed recording this show, having sat on a bunch of these tunes over the summer ready to unleash.  I dropped into the SoundArt Studios at the weekend with my partner in crime Plague Arish, just as Jon was recording his Dub On The Dart show.  Plague and I then visited the nearby New Lion Brewery for some funk and soul jams courtesy of Jelly Jazz which was a scorcher! Nice to dance and drink beer again. 

We also recorded a bunch of noisy tracks which you might be able to hear somewhere soon....

Cheers!


Wednesday, 7 September 2022

Autom, Sprau

Greetings!

Some autumnal ramblings as the summer holidays are at an end and my young Tumplets are sent kicking and screaming back to school.  

Forthcoming:  An excerpt of a live recording from Supernormal Festival 2022 whilst jamming in the woods on the Sunday morning after not enough sleep, too much ale and lots of hot sunshine.  Some delirious spanked out drones were the order of the day, and thus I named the track Brazier's Drone in homage to the amazing location I found myself in.  The track will feature on the new Shadowlands #2 compilation released digitally by Owlripper.  Thanks for having me.  Have a listen / download it here:- 

https://owlripperrecordings.bandcamp.com/album/comp17-shadowlands-2

I had been jamming alongside my regular partner in grime Plague Arish, and whilst he waddled off to get some breakfast and coffee for us I made this recording.  Some of our duet work will be released elsewhere soon.


Here's a sneaky preview of the artwork I created, a sort of dreamy overlay showing Sunset on the festival site on the Friday evening, and some of the gear I used to create the sounds.  Everything was battery powered or just raw weird sounds - sticks, stones, leaves, springs... you know the drill.  

We appreciated the small audience who had gathered by the end of our session.  Including the wonderful DJ Bus Replacement Service who had slayed the Red Kite Tent (pictured!) the evening before with weird techno, hardcore and lashings of fun.  Later that day, Surgeon rocked the main Shed stage with an hour of live and raw techno from his mod synth rig.  Such a great weekend.  More ramblings on that soon I suspect.

Tump Clump #16 will be out end of the month - and possibly a 2 hour show.  We shall see.

And yeah i've still got no access to my Instagram page but I still don't care.  So, find me here, or over there.  

Monday, 29 August 2022

Distraxi & Soloman Tump - Dartmoor Electronics

 

I am rather excited to have released this split album with DISTRAXI which we have worked on for the past few months.  It began quite organically, following a discussion on her visit to Dartmoor and my recent Palimpsest EP which began to explore the themes of folklore and layers of stories embedded in the landscape.  We soon began to work on tracks that would symbolise the dark horror folklore of Dartmoor through a harsh industrial soundscape. 

>>>> dartmoor electronics <<<<

A few words about the tracks I wrote for this release.  Please check out https://www.legendarydartmoor.co.uk/ for much more information on the places and legends named.

Bowerman's Nasus - named after a rocky outcrop found near Manaton, said to be the petrified body of Bowerman The Hunter who fell prey to the vengeful witch Levera after he disturbed their sabbath ritual.

Vixiana - the tale of a six foot tall witch who lived under Vixen Tor.  Legend said she had green sunken eyes and was skinny as a rake, trapping passers by in her cave carved by the creatures of Hades.  

Kitty Jay - the tale of the orphaned servant girl who fell pregnant to a farmers son near Easdon Tor.  She committed suicide in a barn and her grave was placed at the cross of a parish boundary to avoid shaming any locals.  To this day, fresh flowers are still placed by passing pilgrims to remember her.

The Triangle - A podcast on this area of Dartmoor can be found here by the wonderful "Faery Whisperer", relating to Kitty Jay, Bowerman's Nose and Easdon Tor.  

The album cover is a boundary stone found near Grimspound on Dartmoor.  The glitched background art was a happy accident created in the wonderful MSPaint. 

I was lucky enough to recently visit The Museum of Witchcraft & Magic in Boscastle, Cornwall where I picked up some further reading material on these legends.  Perhaps there will be more words on these soon.

In other news; I locked myself out of my instagram account recently, and unless someone at their end can get me back in somehow, I won't be back there anytime soon.

But, I am still alive. 

Friday, 5 August 2022

The Tump Clump Episode 15 - MIXCLOUDSPESH

The Tump Clump reaches episode 15, and due to the summer siesta for SoundArt Radio, this is a Mixcloud exclusive edition for July / August.  Which also coincides with my 40th birthday so I decided to play a few extra tracks because I do not need to stick to the usual prescribed one hour slot......


Another disclaimer: I only play tracks I own. Either physically, digitally, or gifted to me direct from the artist/label.  If you enjoy the sounds played on this show, please directly support the artists and labels buy purchasing some of their art.


https://www.mixcloud.com/solomantump/the-tump-clump-15-040822/ 


Opening with the monolithic drone of Shiverdust by Lucidet which is taken from the Life Death Chaos Order album, a sprawling 4xCD / digital album of longform dirge and dark dynamics.  A feast of a trip if ever there was one.

Drek 5 by Ekoplekz is next - part of a suite of unreleased tracks that Nick was kind enough to send me a while back.  Check out his new single release which is on 7" lathe - be quick, not many left!

The next couple of tracks come from the compilation album The Quietened Mechanisms which was released by A Year In The Country back in 2018.  I recently revisited my CD copy and released again just how many great tracks there are on the release.  So I have included the offerings by Field Lines Cartographer and Grey Frequency which seem to sit well amongst the opening electronic drones of tonight's show.  I love the way the Grey Frequency track melds into a lush pad with birdsong halfway through.

A track by False Moniker from the Screen Memory tape which was released on Strange Rules in 2020.  Pretty much everything on the label is gold, but it seems to be a bit quiet of late as label owner Cremation Lily is concentrating on touring and releases their own sounds.  

Then I gratuitously played my remix of the Klaus Von Mork track "Little Owl" from the Rental Yields Volume One compilation, out now on Front & Follow.  It is really great to be involved in this digital series, and I thoroughly enjoyed putting this track together.  It's a sort of noisy / squelchy distorted vision of KVM's original session recording and found samples.  Future editions of the compilation will include the Megaheadphoneboy interpretation of my samples, and then the Klaus Von Mork rework of a Megaheadphoneboy track.  There are 20 tracks on this volume, all of excellent quality and touching up the various strands of electronics / experimentals, and sales are raising money for the homeless shelter charity in Manchester, so please support if you are able.  



AUTECHRE! I previously said on The Tump Clump that I wouldn't play any Autechre because if you wanted to listen to them you know where to find them.  But for this special edition of the show (and to kind of commemorate my 40th birthday!) I decided to play Tankraken, lifted from the Versions edition of their 2008 Quaristice album.  It still sounds superbly future, with icy percussion and moody grumbling bass.  I hope the mixcloud algorithm AI doesn't pull my show because I played this.

Then more excellent moody electronics from Helm, with a track called MOLE from the recent Axis album.  

Time to play some noisier stuff... kicking off with GRIMWITH who I recently discovered via the double edged sword of Instagram.  Some great digital / tape noise coming at ya from Leeds.  Check it. 

I dipped back into the Rental Yields album with a track from Kinver Ponds and TarotPlane, with a track called For The Benefit Of The Community.  Lovely brutal repetition and ethereal voices.  Some might say "dismal".

Some may say that quite foolishly I decided to then play RatCornSample by DK.  This beast of a track appeared in my inbox recently and I cackled hard and had to play it.  So there.  VAMPIRES!

Then a bit of crackling noise wall for you, 5 minutes to be exact, courtesy of Gynaeolotry and the Plastic Bag: A HNW tribute to Vomir.  You will also found my Postman Lomu tribute to Vomir on the digital download extension should you really wish to listen to more.  

Black Lead Crucibles is a side project of the mighty Disgusting Cathedral - a long form tense droning beast of dungeon noise.  This meshes nicely into.....

....Hoodrat Messiah and the track Casablanca from the new EP called Gospel. Panic inducing atonal drones! Lovely stuff.  Another artist I discovered via Instagram, and they often put up pictures of their wonderful array of pedals and synths used in the creation of these sounds.  

To finish wish, I play a track by another Tump Clump favourite which is Salac, with their album closing number called Manifesto from Illicit Rituals.  It's a few years now since they interviewed for my now defunct Snare Rush zine, so maybe I should try and entice them back to Intrusive Signals for some more.  Hope to hear some new stuff from them soon! 


That's it for now.